Poynteronline: Everything you need to become a better journalist NPPA - 2007 The Best of Television Photojournalism
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News Feature - Web

A feature/human interest story, or series of stories where the editor has put considerable time and effort into the production of the entry.  News Features that score highly show imagination and creativity.  Effects and music are allowed but not necessary.  Max. length is 30 minutes.

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Prisoners Guide Teens on Tour of San Quentin, James Irwin/sfgate.co

1st place: Prisoners Guide Teens on Tour of San Quentin, James Irwin/San Francisco Chronicle's sfgate.com

Here are the runners-up:

2nd place: Being a Black Man: Off the Cuff - The Jailed, Ben de la Cruz/washingtonpost.com

3rd place: The Aftermath of Agent Orange, Travis Fox/washingtonpost.com

Honorable Mention: Dust Off, Stephen McGee/Detroit Free Press' freep.com

Honorable Mention: 29 Palms, Stephen McGee/freep.com
Judges CommentsJudges
Comments
Jay Korff-Comments to come.

Joel Eagle-Comments to come.

Regina McCombs-Comments to come.

Mike Humphries-The 1st Place entry, "Prisoners Guide Teens on a Tour of San Quentin," was an outstanding piece of editing. The shot selection and natural sound combined to make the story appear seamless. The editing did not draw attention to itself and allowed the viewer to go along on the tour of one of America's most infamous prisons.
The 2nd Place entry, "Being a Black Man: Off the Cuff -- The Jailed," also took us inside a prison. Again, the editing was outstanding. Instead of covering many of the interviews with video, the editor used the "picture in picture" technique to show both video and interviews simultaneously. While it wasn't "invisible editing," the technique helped to illustrate the story in a unique way.
In "The Aftermath of Agent Orange," the editor seamlessly used natural sound and great shot selection to tell the story of how the people of Vietnam are still dealing with the effects of the defoliant used more than 30 years ago.
The two Honorable Mention stories, "Dust Off" and "29 Palms," were also outstanding entries. The editor for the former did an excellent job of using still and video images of the same events to dramatically illustrate the story, while the editor of the latter piece used a more conventional approach. Though they used different techniques, each worked in their own way to tell great stories.
Overall, this category had excellent entries.  The extra time that the editors had to work on these stories was very evident. Surprisingly, even though the story times in this category were much longer than those in the 48 Hour Web category, the pacing on most of these pieces was much better.  For the most part, they moved well and didn't seem to drag much.
The one thing that the five finalists had in common over many of the other entries is a definite beginning, middle and end. Many of the Web stories, in both categories, just sort of stopped, without a definite conclusion to the story.

Stephanie Ottjepka-I was completely absorbed into the winning story. The editing was seamless. It was insightful storytelling with wonderful reactions and moments. It really stood out.
"Being a Black Man: Off the Cuff -- The Jailed" has a wonderful style. The use of double boxes with moving portraits next to the soundbites was very cool. The dips to black worked with the pacing. The interviews and various viewpoints were incredibly interesting.
"The Aftermath of Agent Orange" had particularly good sequencing and shot selection.
"Dust Off" had an interesting juxtaposition of still photographs and video
of a spot news event. The stills were good enough to really capture the moment perhaps in some cases better than video would.
"29 Palms" had good sequencing, pacing, use of slow motion and great music.

Erica Simpson-Comments to come.

Mark Morache-Comments to come.

Merry Murray-Comments to come.

Ram Guzman-Comments to come.